Abstract: Environmental apocalyptic writing is a crucial component of ecoliterature, serving as a creative means of addressing environmental crises. Two exemplary works in this genre are Rachel Carson’s Silent Spring and Jiang Rong's Wolf Totem. These works, from American and Chinese authors respectively, offer a unique opportunity for cross-cultural analysis and dialogue. This paper aims to explore the similarities and differences in the themes of environmental apocalyptic writing in these two works, highlighting the distinct environmental experiences of different cultures and civilizations. By examining the potential for cross-cultural learning and cooperation in ecological initiatives, this paper aims to inspire ecoliterary creation and contribute to the global conversation on environmentalism.