1672-8505

CN 51-1675/C

不废新声的复古者,五律高格的创辟者——陈子昂近体诗价值重论

An Innovative Retro Poet Pioneering in "Wulv" Poems—Reappraise the Value of Chen Ziang's Poems

  • 摘要: 陈子昂在观念上并不排斥近体,只是反对片面追求诗歌艺术性的不良风气。作为一位不废新声的复古者,陈子昂创作了数量可观的五言律诗。其五律采用“以古行律”的方法,从内容、形式、风格诸方面对齐梁式五律进行全面改造,在以杜、沈、宋等人为代表的典丽精工风格之外,另辟出高古澹雅一格。陈子昂“以古行律”的创作方法为盛唐乃至整个唐代的诗人所效仿和学习,并成为五律这一体式的最高格调,后世五律皆以之为法。

     

    Abstract: Chen Ziang was not against the concept of modern poetry, but was against the fashion to merely pursue poetic art. Chen Ziang, who was not against the fashion, created a large number of "Wulv" poems (five-character rhyming poetry). Adopting "ancient rhyming pattern", he comprehensively innovated the content, form, style and other aspects of "Wulv" poems of Qi-Liang Dynasty. With the quaint and elegant style, his poems stood out among the delicately refined poems represented by Du Shenyan, Shen Quanqi and Song Zhiwen. His practice to follow "ancient rhyming pattern" is imitated by Peak Tang Dynasty and even the whole Tang Dynasty. His style is pioneering in "Wulv" poems, which becomes the guiding principle for subsequent poets.

     

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